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New Generations is a European platform that investigates the changes in the architectural profession ever since the economic crisis of 2008. We analyse the most innovative emerging practices at the European level, providing a new space for the exchange of knowledge and confrontation, theory, and production.
Since 2013, we have involved more than 300 practices from more than 20 European countries in our cultural agenda, such as festivals, exhibitions, open calls, video-interviews, workshops, and experimental formats. We aim to offer a unique space where emerging architects could meet, exchange ideas, get inspired, and collaborate.
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Within the cultural agenda of New Generations
Editor in chief Gianpiero Venturini
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Johansen Skovsted Arkitekter was founded by Søren Johansen and Sebastian Skovsted. The firm, from their office in Copenhagen, has gone on to become experienced in developing projects from the first sketch to the completed construction, seeking to bridge the gap between contemporary building processes and materials, and basic architectural values, through a synthesis of ideas, techniques and manufacturing methods.
We (Søren Johansen & Sebastian Skovsted) studied together and after spending a couple of years working in various firms, in Denmark and abroad, we decided to apply for a project for a specific Danish landscape. We sent in a bid for the project without really having thought through what we were starting. It was just about being allowed to do a project in-house and maybe take a leave of absence from our full-time jobs if it worked out. But then we won another project, and then a third, after which it became obvious that we were starting our own thing. By that time, we had already worked together for two years. It was something that just evolved more than a case of us sitting down and deciding to do this.
In our approach to architecture, it is always about working with a certain type of material. It has to do primarily with a context, something that is already defined. It is when we make better choices that we have meaningful creative restrictions in our work. This narrow framework then becomes the basis for developing a project and we start looking at how to make it exciting and how to create a strong expression from this specific method. Right now we are working on a project with prefabricated concrete elements. Building it like this has been the premise right from the beginning, making creative obstacles.
A day can be a mix between site visits and meetings in-house and out of the office. Collaboration within all projects is highly valued in our office, and for us it is essential to follow and take time to work on all projects. In the starting phase, we often take a day off from digital working tools and turn off our phones to explore the first thoughts and ideas.
Our studio is located in Copenhagen’s meatpacking district as a part of a creative office community and atelier. Shelving with models, books, and a various selection of material samples surrounds the office space. Bricks in different colours in the spectrum of yellow, red and brown are stacked on the floor. Concrete texture samples stand leaning against the wall. An interior test of panels and suspended ceiling is constructed around an opening, a mock-up model from our ongoing office and warehouse project in Køge, Denmark, which is occupying most of our time at the moment. In between the bricks and concrete samples, you can often find us sitting around the same computer together with the rest of the team, discussing and drawing in both digital and analogue formats.
Photography Laura Boelskifte (profile image) and Rasmus Norlander